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Sivakarthikeyan Lends His Voice to Rebel Anthem Tharakku Tharakku From Parasakthi_我的网站

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一 | 　　人民日报客户端　　王珂　　前7月的消费市场成绩单，近日出炉。 With Parasakthi inching closer to release, composer actor GV Prakash has offered a key update that shifts the spotlight squarely onto Sivakarthikeyan. The actor has lent his voice to Tharakku Tharakku, the fourth single from the film, a track GV Prakash describes as a rebel anthem. The announcement, shared with a photograph featuring Sivakarthikeyan and director Sudha Kongara, has quickly become one of the most talked about developments surrounding the project.While Sivakarthikeyan has sung in films before, his decision to voice a song in Parasakthi feels particularly deliberate given the film’s political and historical setting. Rather than functioning as a novelty, Tharakku Tharakku appears positioned as an extension of his character’s inner voice, one that aligns performance, ideology, and music.When the lead becomes the voiceParasakthi is set in the nineteen sixties and draws from the Anti-Hindi agitations that swept Tamil Nadu in 1965. Within this context, Sivakarthikeyan singing a rebel anthem adds narrative weight to the soundtrack. It suggests a song that is meant to belong to the character rather than sit outside the story as a standalone musical moment.GV Prakash has already shaped a varied musical landscape for the film. The earlier singles Adi Alaye, Ratnamala, and Namakkana Kaalam explored romance, emotion, and collective aspiration. Tharakku Tharakku, however, seems designed to cut sharper, both musically and thematically. Described as a rebel anthem, the track is expected to channel resistance, urgency, and defiance, qualities that mirror the political climate the film revisits. #SK sings for #parasakthi the rebel song #tharakkutharakku @Siva_Kartikeyan @Sudha_Kongara @DawnPicturesOff pic.twitter.com/1TZ6Yp7Ooa — G.V.Prakash Kumar (@gvprakash) December 15, 2025 Sivakarthikeyan’s vocal presence also reinforces his evolving image as an actor who increasingly gravitates toward roles rooted in social consciousness. Singing the song himself blurs the line between performer and protagonist, allowing the music to function as a direct emotional conduit rather than a decorative addition.A politically charged ensemble dramaDirected by Sudha Kongara, Parasakthi marks her fourth feature after Drohi, Irudhi Suttru, and Soorarai Pottru. Known for her ability to blend strong character arcs with larger socio-political themes, Sudha appears to be using music as an integral storytelling tool rather than a pause in the narrative. She has co-written the film with Arjun Nadesan, with additional screenplay by Ganeshaa and dialogues by Madhan Karky and Shan Karuppusamy.The film is headlined by Sivakarthikeyan and features Ravi Mohan in what is said to be the first antagonist role of his career. Atharvaa plays a key part, while Sreeleela makes her Tamil cinema debut as the female lead. There has also been speculation about Rana Daggubati’s involvement, though the makers are yet to confirm his casting. Details about the characters remain under wraps, adding to the sense of anticipation. The technical team includes Ravi K Chandran as cinematographer, Sathish Surya as editor, S Annadurai as art director, and Supreme Sundar as action choreographer. Produced by Aakash Baskaran under the Dawn Pictures banner, the film has Dev Ramnath as creative producer, with MP Senthel and Rhea Kongara serving as executive producers. Red Giant Movies is handling distribution.With postproduction in full swing and a theatrical release locked for January 14, 2026, Parasakthi is shaping up as one of the most ambitious Tamil films on the horizon. As anticipation grows, Tharakku Tharakku stands out not just as another single, but as a moment where Sivakarthikeyan’s voice becomes central to the film’s political and emotional core.Also Read: AR Murugadoss Spills Details About Sivakarthikeyan’s Madharasi。数据显示，今年以来，我国消费市场保持向新向优发展态势，规模稳步扩大、质量不断提升。1—7月，社会消费商品和服务零售总额同比增长2.6%，其中服务零售额增长5.0%，持续快于商品零售额增速。数据之外，中国消费透出的满满“福祉含量”，更值得关注。　　这份“福祉含量”，体现在服务消费扩容、添彩美好生活上。从假日出行人流如织，到社区健身场馆人气高涨；从博物馆、美术馆参观者络绎不绝，到普惠托育、居家养老服务走进百姓家，服务消费亮点纷呈，映照出人们的需求正从物质满足向精神愉悦延伸。1—7月，旅游咨询租赁服务类、文体休闲服务类零售额增速均超过10%，7月电影票房同比增长超20%。

二 | 越来越多家庭为休闲、健康、文化、教育买单。　　这份“福祉含量”，体现在商品提质升级、提升生活质感上。

三 | 一台节能冰箱降低家庭电费，一台智能家电解放家务时间，一辆新能源车让出行更经济环保——在消费品以旧换新政策推动下，更多绿色智能产品走进千家万户。7月，限额以上单位通讯器材、文化办公用品零售额分别增长20.4%、7.4%，新能源乘用车零售渗透率达65.1%，再创历史新高。这类升级型消费并非无关紧要的额外开销，而是直接优化居家、出行等日常场景的民生支出。高品质商品以更实惠的价格走进寻常百姓家，化为人们可感可及的生活福祉。　　这份“福祉含量”，还体现在城乡结构优化、优质供给覆盖更广上。随着县域商业体系建设推进，县域居民打破地域限制，同步享受到丰富优质的供给。1—7月，乡村消费品零售额同比增长2.4%，增速高于城镇1.3个百分点。从电商平台上农产品上行与工业品下行双向畅通，到乡镇商贸中心、特色大集焕发新活力，下沉市场的增长，不只是数字增加，更是城乡消费体验差距的持续收窄，是发展成果更多更公平惠及全体人民的生动写照。　　放在更长的时间维度看，中国消费“福祉含量”的稳步提升，是不可逆转的长期趋势。消费内涵不断拓展，从“有没有”到“好不好”，从“能用就行”到“绿色智能”，这一变迁既映射中国发展的民生底色，也与将惠民生和促消费紧密结合的政策取向高度契合。促消费政策跳出单纯扩规模的思路，坚持以人民为中心，将扩内需、促消费同改善生活品质紧密结合。从以旧换新让真金白银优惠直达群众、推动绿色智能产品扮靓百姓生活，到建设一刻钟便民生活圈、发展普惠托育和养老服务，再到完善社保医保、推进公共服务均等化、缓解后顾之忧……政策实践反复印证：惠民生是促消费的前提和基础，促消费是惠民生的重要途径。二者良性循环，让增长更有温度、更可持续。　　消费的终极意义，不是统计报表上的数字，而是人民实实在在的美好生活。当前，消费市场韧性强、潜力大、活力足的基本面没有改变。